Annette Bartlett-Golden
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A Sudden Inspiration

7/30/2019

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©Annette Bartlett-Golden, Sea Cycling. Mixed media, 28 x 22 inches. $550
Sea Cycling: A Sudden Inspiration
By Annette Bartlett-Golden
 
For days, I've been cutting out little paper fish for a new sea themed collage. In all, there are about 120 fish: red, yellow, orange, blue and silver in a variety of shapes and color combinations. I also made a sea turtle and a snorkeling cyclist, a rather strange combination, I know, for the underwater ocean scene. Brightly colored handmade, marbled, and watercolored papers with both torn and cut edges make up a coral reef. While I was working on the collage, my studio was littered with rolls and sheets of all sorts of paper and a confetti of tiny paper scraps. I also had paint pens, markers, and watercolors out at the same time for special detail work. It was a merry state of creative chaos!

This all came about because of a sudden flash of inspiration as I was driving home from teaching a collage class. During the class, I had been watching and helping students make the components of their deep sea collages. Besides basics such as coral and fish which were in the example collage I had designed for the class, students made sea turtles, starfish and even a seahorse. Seeing how they were having fun expanding the sea theme got me thinking about a composition for another deep sea collage that I wanted to create and what sorts of elements I wanted to include. Then as I was driving home, I thought about a call for art for an upcoming bicycle show that I had considered entering. Somehow the two subjects melded. Suddenly I saw the image of a cyclist riding amidst a school of fish with various kinds of corals below. That image was my inspiration for the subject of my new collage called Sea Cycling.

Most of my collages have been abstracts or loosely representational compositions that evolved during the making. Creating a representational collage based on an image I saw in my head, bigger in size than most of my other collages, with this level of detail, and a whimsical spirit is certainly something new for me. I greatly enjoyed the process, even though working with small pieces and facing unexpected challenges was intense at times, and I’m very pleased with the outcome.
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A New Appreciation

10/31/2018

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Here I am leading a community Sip n' Art class last year with one of the artist groups I belong to.

A New Appreciation
By Annette Bartlett-Golden

When I heard the news over the summer that one of the artists’ organizations I belong to was dissolving, it hit me harder than I ever would have imagined. It was a very active organization with its own gallery space, sponsoring numerous exhibition opportunities for a large membership, as well as others in the community, and I participated in as many of the shows as I could. The possibility of that vibrant venue and organization no longer existing was a devastatingly dismal prospect. At the time, an artist friend of mine who was also a member told me she had lost her motivation to continue painting. I understood her feelings. The thought of losing that organization was almost like mourning a death. Fortunately, the organization was wonderfully resilient and after a minor restructure it is doing well.

That experience and another similar one, however, made me consider the importance of local artists organizations open to professionals, amateurs, and art lovers. For many artists, they are a lifeline providing support, a way to connect with other artists and their community, and welcome show venues. Making art is a largely a solitary pursuit, so getting out in one's community and making connections with people is particularly important. And they are also enormous sources of motivation for artists to continue creating art and showing their work.

While some may think that these sorts of specialized groups serve only their membership, that is not the case at all with the community artists groups to which I belong. These artist’s organizations provide engaging community activities that help build and strengthen the community while at the same time supporting their membership. The positive impact of these groups is deeper and more far reaching than I had previously realized.  For all of these reasons I'm so thankful for the artist organizations that I am a part of! 


Recently, I was elected president of the Muddy river Art Association and I am pleased to be able to serve the organization in this position after being a member for around four years.



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Pink Bananas

10/31/2018

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Pink velvet bananas with their huge luxurious leaves growing in my North Carolina garden.
Pink Bananas
By Annette Bartlett-Golden
It’s October and I have pink bananas growing in my garden! With its large, luxurious oval leaves and pink fruit spikes, the ornamental pink velvet banana plant Musa velutina certainly lends an exotic flare. Watching the small banana plants we were gifted with some three years ago grow bigger, flower, and develop fruit, then die back in winter and reemerge even stronger each spring has been a fascinating process. Pink flowers blossom on a flowering spike mature into small banana fruits with tough pink skins that have a pleasant velvety texture. This curious pink fruit, while very seedy and therefore considered ornamental, can be eaten and has a pleasant flavor. These bananas reach about 8 feet in height and prefer a sunny location.

While I had heard of bananas living in local landscapes, I had not seriously considered them for my own garden assuming that they would do poorly and look out of place. Now observing how they have thrived, tripled in size, and bear clusters of colorful small ornamental bananas each year, I see their potential for adding flare and interest to the garden. Combined with other similarly exotic looking plants such as red leafed canna lilies and the saucer sized flowers of hibiscus, they make a striking display.

The pink velvet banana is a type of cold hardy banana that does well up to USDA planting zone 7 when planted in full sun.
 While banana plants are often referred to as banana trees, they are actually the largest herbaceous perennial!  In cold climates they will die back after the first frost of winter. Caring for the bananas during winter is relatively simple, however. Before frost, cut back the stems and leaves to about 8 to 10 inches above the ground and cover with heavy mulch. In spring, after the danger of frost has passed, remove the mulch from the crown. Bananas can also be planted in pots and kept indoors during winter.
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Left:The pink bananas are now about 8 feet tall. Right: A close up of the colorful bright pink banana fruits.
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A Magical Meeting with Debra Frasier

9/30/2018

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Debra Frasier as The Queen of Letters introduces me to the process for choosing my word of power.

A Magical Meeting with Debra Frasier
By Annette Bartlett-Golden

Ever since I was a child, I have wanted to write and illustrate children's stories. So I was delighted to hear that the well-known children's book writer and illustrator, Deborah Frasier, was going to be a guest speaker at the 2018 Carolina Mountains Literary Festival in Burnsville, North Carolina. She is the author and illustrator of the beloved classic On the Day You Were Born, Miss Alaineus, A Fabulous Fair Alphabet, and Spike Ugliest Dog in the Universe, as well as many others.

Besides being a best-selling author, I soon realized that Debra Frasier is also an incredibly imaginative, creative, and generous person. In her presentation, Debra explained how she came to write and illustrate her first children's book after a very difficult pregnancy and the process she uses when developing a new book. Aware that there were many prospective authors and illustrators in the audience, she made a point of giving excellent practical advice on how to get started, which I especially appreciated. At the end of the presentation she gave away free copies of her book Miss Alaineus as a way of giving back to the town of Burnsville and those attending the literary festival.

Debra told us that she believes a big part of her work as an author is to bring fun reading related events to communities. In the afternoon, after the presentation, Debra setup her festive AmaZing Alphabetini tent on the Town Square. There, presiding in the role of The Queen of Letters, she explained the magic of the alphabet and helped individuals discover their Wise Word of power, a special word meant to empower the person throughout the coming months. While Debra's events are geared for children, adults are welcome, too, and many of us waited patiently in the rain for our turn. I was surprised and touched by how personal the experience was and the appropriateness of my word. It was a magical meeting!

This is the second year that I have attended the Carolina Mountains Literary Festival. A small town, mountain scenery, good friends, a free literary festival and a meeting with a truly amazing person, Debra Frasier, all made for a memorable, inspirational, and life changing weekend.


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Two books written and illustrated by Debra Frasier.
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Seascape Collage Class

9/30/2018

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The Seascape Collage Class was a brilliant one!  We had a great group of ladies who impressed me with their collages, including those who had told me at the beginning of class that they weren't at all artistic. Some people made a scene similar to my example collage and several decided to make their own scenes of beaches in Florida, North Carolina and Tahiti. Many thanks to Smitty's Homemade Ice Cream in Burlington, NC for hosting the class!
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Progress of the Magnificent Colocasia

9/30/2018

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Avery Bartlett-Golden next to his Thailand Giant variety of elephant ears. 

Progress of the Magnificent Colocasia
By guest author Avery Bartlett-Golden

This year, despite a hard winter, my Thailand Giant variety of elephant ears, also known as Colocasia gigantea ‘Thailand Giant’, returned with fantastic vigor. Since I first got a plant from Professor Dr. Dennis Werner four years ago, I have been continually surprised by how fast these colacasias grow. Over the years I have been working on improving the soil around the sunny spot in the front yard where I planted them so that now the area has around eight inches of decomposed mulch. This, and close attention to water and nitrogen throughout the summer, has helped the elephant ears reach their full potential. 

Before my plant from last year died, it sent up tall flower spikes with white blossoms that gave off a fruity fragrance in evening. A number of new plants have grown up from the flower seeds set in fall. Even though the tiny seeds of colocasia gigantea are about the size of lettuce seeds and sprout later in the spring, the new seedlings grew extremely fast, peaking in growth at about a new leaf every other day. Now they are even larger than the very first plant I planted. Throughout the summer many passersby have stopped to admire and photograph my magnificent elephant ears and that has been quite gratifying, too!


~Avery Bartlett-Golden is a Horticulture Science major at North Carolina State University.
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A Visit to Chanticleer Garden

8/30/2018

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The Tennis Court Garden showcases a vibrant display of hardy perennials at Chanticleer Garden.
A Visit to Chanticleer Garden
By Annette Bartlett-Garden
Nestled among emerald rolling hills just west of Philadelphia, Chanticleer Garden is a delightful botanical gem.  Scrupulously tended, imaginatively designed, and teeming with inspiration it is one of America’s best public gardens. At just under fifty acres, Chanticleer is small, especially compared to grand gardens, such as nearby Longwood, which amaze with their size. However, Chanticleer’s charm and appeal lies in its intimate scale and exciting plantings that create a welcoming, romantic, and relaxing atmosphere.
 
I learned about this delightful garden from my son who had visited there briefly with his university Horticulture Club. So on the way to our family vacation up north we made a point to stop and visit. Because of its size, I looked forward to really exploring all of the major areas of the garden which are located at various points along a mile long path. They include Chanticleer House, Teacup Garden, the Ruin, Asian Woods, and Gravel Garden, as well as many more.  Encompassing shady areas and hot sunny spots, high hills and lower places, meadows, woods, a pond and streams,  
Chanticleer is a place of surprising diversity and contrast, I discovered.
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A dark pool reflects the sky and the unusual shapes of the Ruin.
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Left: Open to the hot summer sun, the Gravel Garden features interesting cacti and Mediterranean specimens. Right: A pastoral quality prevails in this view of mature trees atop a hill and meadow plantings below, near Chanticleer House.​
 Intrigued by the diversity, I wondered how it was achieved. "There are seven Horticulturists, each responsible for the design, planting, and maintenance of an area. The areas are continually evolving, each with its own feel, yet joined together as one complete unit, “explains the chanticleer website. It's also helpful to understand how much work and care an outstanding garden requires and I was especially curious about this one. I learned that there are fourteen full-time year-round gardeners and groundskeepers plus six other full-time staff member.  In summer, the number of staff members doubles and includes interns and exchange gardeners. During the winter, year round staff members build and create furniture from wood harvested on the property, and construct fences, bridges, drinking fountains and other decorative touches.Throughout my visit, there were staff gardeners available to speak with about any aspect of the garden. ​
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The bold colors and textures of the Teacup Garden at Chanticleer.
​Flowers petals in a bowl of water and a hand crafted whimsical garden gate add charm to the entry of the Teacup Garden.
​My favorite spot, and the part I found the most inspirational, is the teacup Garden. As the Chanticleer Garden website explains, “The Teacup Garden and Chanticleer Terraces feature seasonal plants and bold-textured tropical and subtropical plants. These areas change greatly from year to year. Non-hardy plants overwinter in greenhouses and basements.” It’s an area of lush, colorful plantings that use foliage as much as flowers to create vibrant borders. I especially loved the combination of banana plant leaves with the sizzling red of hibiscus flowers, and other exotic looking plants. As it happens, there are cold hardy bananas and also cold hardy hibiscus varieties. Another lovely idea for just about all gardeners were the gorgeous bowls of water with floating flower petals placed in various spots near the houses on the property. With great ideas for plant combinations and decorative touches I can put in my own garden, visiting Chanticleer was both a pleasure and an inspiration!

~To learn more about Chanticleer Garden, including plant lists and videos, go to: chanticleergarden.org
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Sketching the Rocky Coast of Maine

8/28/2018

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​Surveying the rocky coast on beautiful Chebeague Island in Maine.
Sketching the Rocky Coast of Maine
By Annette Bartlett-Golden
Vivid memories of rocky inlets, the glittering ocean, cool summer breezes and wide blue skies came to me suddenly like the melody from a forgotten sea shanty. Though it had been many years since I last traveled in Maine, the presence and beauty of its rocky coast left an indelible mark on my psyche. A recent family trip to visit my husband's sister and a boyhood friend happily brought me back for a few days.

Noted for its magical quality of light and primal natural beauty, Maine has long been a haven and muse for artists. The American painters Frederick Church, Winslow Homer, Edward Hopper, and Andrew Wyeth of past centuries were all inspired by the Maine landscape which continues to attract artists from all over the world.

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©Annette Bartlett-Golden, Sketch at Chibegue Island. Watercolor, 12 x 9 inches. 
In addition to enjoying time with family and friends, I also wanted to paint scenes of the rocky coast during this vacation. A day trip by ferry to visit my husband's friend brought us to Chebeague Island in Casco Bay on a beautiful clear August day. With its mix of plentiful rocks and sandy beaches the island offers splendid coastal views. I was delighted to settle down upon a large driftwood log for an hour or so with my watercolors and paint the scene before me en plein air.

Usually I paint indoors in my studio using photos. Painting outdoors from life, en plein air, is a very different way of working ~ it is an immersive experience that requires a direct approach and quick decision making. Often the resulting painting has a unique freshness or raw quality compared to more finished studio work. Painting en plein air was something I had wanted to do for a while so I was thrilled to have the opportunity, particularly in such a fabulous setting. Later, I added a few details to the watercolor sketch I made on Chebeague Island.
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An expansive view of the beach on Chebegue Island where I sketched.
The next day after a picnic of Italian subs at Fort Williams Park in Cape Elizabeth, I begin another watercolor sketch. This time the scene was of garden plantings in the park, a rocky inlet below, the sea, and a thin line of land in the far distance: the view visible from the comfortable picnic table under shady trees where I sat bathed by cool breezes. This expansive coastal scene proved to be more complicated and difficult than the first sketch. I ended up spending a lot of time afterwards finishing it in the studio.

With time, and much practice, my plein air sketches will improve. In the meantime, I'm enjoying the adventure. And I'm planning to return to Maine next summer to continue painting the rocky coast and visit with family and friends.
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©Annette Bartlett-Golden, Sketch at Fort Williams.
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Watercolor, 12 x 9 inches. 
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Rolling with a Theme

7/31/2018

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©Annette Bartlett-Golden, H.G. Wells & The Wheels of Chance.
​Mixed media, 18 x 24 inches. $500

Rolling with a Theme
By Annette Bartlett-Golden

Looking out of my studio window, I'm likely to see members from our local herd of deer or my neighbor zipping by on his bicycle.  So perhaps it was just a matter of time before bicycles made their way into my art. Hearing from a friend about a cycling themed exhibit motivated me to incorporate bicycle images in a couple collages this month and I rolled with it from there!  My latest collages, H. G. Wells & The Wheels of Chance and The Grand Tour of France, are infused with a bicyclingtheme. Wheels of various sizes and bicycles are uniting elements in both collages. I also used some of the same papers and vibrant color combinations in both. While these pieces have a different feeling from my past collages, I’m very pleased with how they turned out.

The first one called H. G. Wells & The Wheels of Chance was inspired by one of HG Wells early novels, a humorous story titled The Wheels of Chance, a Bicycling Idyll.  As I worked on this collage, I listened to the story, following one Mr. Hoopdriver on a cycling holiday through the English countryside where he meets and befriends a pretty girl in grey who is also on a cycling trip. The roads, open fields of the country, flowers and butterflies mentioned in the book have made their leisurely way into the collage along with bicycles and wheels.
 
For the second collage I took inspiration from July's biggest cycling event, the Tour de France, which along with Giro d'Italia and Vuelta a España, comprise the Grand Tours. Looking at a video clip of the route for the Tour de France I was struck by the zigzagging lines of the race and the prevalence of mountainous terrain. Those motifs, along with wheels and bicycles, are evident in this busy collage called The Grand Tour of France. Listening frequently to Kraftwerk's epic song Tour de France added to the bicycling race ambiance.
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©Annette Bartlett-Golden, H.G. Wells & The Wheels of Chance. 
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Mixed media, 18 x 24 inches. $500
I had a great time making these collages which stretched my artistic process.  Unlike previous pieces where I used mat board for the support, I worked directly on birch panels attached to a supporting frame (much like a stretched canvas) which are larger than most of my other collages. These collages are also much more intricate in composition and more detailed. Working with specific bicycle related themes added another layer of meaning to the artwork which was quite satisfying.  

When I make my collages, I use an intuitive process which means that at the beginning I have no idea what the finished work will look like. In this case I knew that there would likely be bicycles somewhere in the pieces but that was all. The rest evolved as I worked.  After I thought I had finished H. G. Wells & The Wheels of Chance I got the idea to use a large wheel shape. At that point I went back and transformed a big, plain yellow disk in the collage into a wheel design and then reworked the area around it. For The Grand Tour of France I began with the large orange wheel and the composition expanded from there. Because of my process, there is an element of surprise when I stand back and contemplate the finished results. For these two collages that was a particularly exciting moment!
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From the Garden: Ironweed

7/31/2018

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 Avery standing next to a tall specimen of ironweed, Vernonia gigantea, a buzz with bees and butterflies. ​
​​ Ironweed
By guest author Avery Bartlett-Golden
A few years ago, a plant by the front door that had been left in a pot to be planted later, got impatient and grew through the bottom of its container. The next year it was an eight-foot plant with giant lacy flowers towering above us. That plant turned out to be Eupatorium fistulosum or Joe Pye weed, number 26 on the list of plants that I received from a class on herbaceous perennials taught by Dr. Dennis Werner at North Carolina State University.  
 
This year a new plant appeared in the side flower garden. Towering above everything around it except for the apple trees, this plant seemingly came out of nowhere. I don’t remember planting it or seeing it before, but when I checked the class list of plants I received, there it was at number 63, Vernonia gigantea or Giant Iron weed.
 
This spectacular plant grows 8-10 feet tall crowned by purple magenta flowers that attract all kinds of pollinators. Later in the fall, the flowers will turn to fuzzy seed heads attracting birds and creating wonderful winter interest. As member of the Aster family this giant shares the family characteristics of blooming late in summer and displays similarly shaped flowers.
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Close up of the giant ironweed flowers with one of the numerous butterflies attracted to the plant.
Iron weed is a native to the entire east coast and was first collected in Maryland by English botanist William Vernon in 1698.  Later the Genus Vernonia was named in his honor encompassing twenty other native ironweed varieties and hundreds more on other continents.
 
Since it flowers later, giant ironweed is an excellent option for pollinator gardens to provide nectar for bees and butterflies at a time when few other plants are blooming. The ironweed plant lives up to its name surviving to the end of the season without issue. Certainly the plant is not picky about soil or water, handling moderate drought and torrential rain wonderfully. Also, it tastes unpleasant to deer which explains how it has survived despite the daily visits of the neighborhood herd. So, if you’re looking for a plant that will give stature and awe to a garden from summer to the beginning of spring, Vernonia gigantea will stand to the call.
 
~Avery Bartlett-Golden is a Horticulture Science major at North Carolina State University. ​
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    Annette Bartlett-Golden paints a wide range of subjects from landscapes to animals and makes abstract works with paper. Using vibrant colors, she imparts a sense of immediacy, vivacity and optimism to her paintings and paper collages. 

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